Relays that destroy instants [videorecording] / Ken Feingold. [1982?]

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Relays that destroy instants [videorecording] / Ken Feingold. [1982?]

In Relays that destroy instants, Ken Feingold appropriates and restructures footage from television news broadcasts in a series of four segments made between 1981 and 1982. Images of war, starvation, brutality and death escalate in intensity until a sequence of ocean waves releases the tension.

1 videocassette of 1 (U-Matic) (35 min.) : sd., col. ; 3/4 in. original.1 videodisc of 1 (DVD) (35 min.) : sd., col. ; 4 3/4 in. use copy.

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SNAC Resource ID: 6816207

Getty Research Institute

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Long Beach museum of art

http://n2t.net/ark:/99166/w62v6njc (corporateBody)

The Long Beach Museum of Art (LBMA) was among the first to focus on video as an artistic medium, spurring similar efforts throughout the United States. Beginning in 1974 the museum began collecting and exhibiting video art, later also actively encouraging the development of video art by co-producing projects and offering editing facilities to artists in its Video Annex. The museum's innovative approaches to the display of video art included several experiments with broadcast and cable television...

Feingold, Ken, 1952-....

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